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(More customer reviews)Rest assured, Poland has learned. We were the motor in communism collapse. It was 21 years ago. It takes time to undo hurtful films, publications and stereotypes created by the Soviets.Poland does really care about our reputation, especially regarding our II war era heroism.
Another great publication, which explains soviet propaganda and attepts to discourage Americans from active help to Poland, right after II war is " I saw Poland Betrayed" book by the last US Ambassador, serving its post until 1947- Arthur Bliss-Lane. Russia knew US had influencial American-Jewish organizations, and one of the ways to alienate Poland from international help (especially US), was to smear Poland with antisemitism.
Bliss-Lane made a point, in which the widest known "antysemitic" events were orchestrated by soviet NKWD- same institution responsible for 20K executions style massacre of polish officers and intelligence in Katyn forest.
NKVD-invented "Polish antysemitism", was a fertile ground for Jews, due to their tromendous suffering and psychologcal demage.Unfortunetly, our Jewish friends were misled and fooled and our long friendship dating to XIV century thorn apart.
We will undue all lies and shove it right back to everyone responsible. Wait and see.
Click Here to see more reviews about: Hollywood's War with Poland, 1939-1945
During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. They often portrayed the combatants in very simple terms: Americans and their allies were heroes, and everyone else was a villain. Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Poland, however, was represented in a negative light in numerous movies. In Hollywood's War with Poland, 1939-1945, M. B. B. Biskupski draws on a close study of prewar and wartime films such as To Be or Not to Be (1942), In Our Time (1944), and None Shall Escape (1944). He researched memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors to explore the negative portrayal of Poland during World War II. Biskupski also examines the political climate that influenced Hollywood films.
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