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(More customer reviews)Several weeks ago, I happened upon Eula Biss reading her essay, "Time and Distance Overcome" on C-SPAN's BookTV. She was in the midst of the essay, which uses telephone poles to convey several themes about America, including the inherent racism represented by our history.
The telephone pole allowed wires to be strung, linking communities and eventually the entire country. We now view this and Alexander Graham Bell's invention of the telephone as wondrous things. Biss points out in her essay that Americans at that time opposed telephone poles vociferously.
She writes about the New York Times in 1889 reporting a "War on Telephone Poles." Biss tells us that as soon as the telephone company erected a new pole, home owners and business owners would saw it down, even resorting to defending their properties from telephone poles with rifles.
According to Biss, newspaper editorials at the time considered telephone poles as contributors to urban blight.
Telephone poles also made convenient stations upon which to lynch blacks, something I never learned in history class, and wouldn't have known, if this essay by Biss, contained in her collection of essays, Notes from No Man's Land: American Essays.
Biss doesn't blame telephone poles. They were merely an instrument, a practical one at that given that they were tall and straight, had a cross bar, and they stood in public places, making them great for humiliation and degradation, key elements of lynchings.
Writing about telephone poles and lynchings might seem perverse, and evoke discomfort from readers, Biss conveys something about America in this essay, about racism from our nation's past that is not common knowledge, even though telephone poles are ubiquitous.
Her essays are like that. She looks at things, like race in America, and the prevalence of fear in our country, through a lens somewhat altered from the norm.
We also learn from Biss that her father told her that her grandfather was a telephone lineman and "broke his back when a telephone pole smashed him against the road."
While all of the essays have a thematic center, which is race in America, a subject fraught with peril for any writer, Biss never comes across as heavy-handed, or haranguing readers, and the essays aren't about ideological axe-grinding.
Throughout "Notes from No Man's Land," Biss regularly shows her adeptness and skill as a writer, tackling tough subjects in each essay, but always with a twist or turn that took you somewhere different than you originally thought you were going. In the process, you admired the journey, and how Biss made you think about her points.
This is Biss's first full-length work, made possible when she won Graywolf's Nonfiction Prize for 2008.
I'm sure this will be the first of many books from Biss, as this first book of essays is a winner.
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