The Shooting Star (The Adventures of Tintin) Review

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(More customer reviews)After a string of stories loosely based on mystery/crime plots, 'The Shooting Star' initiates the formula that would become fairly standard in the Tintin books to come: the science-fiction adventure, a kind of modernist Jules Verne. A huge meteorite flying past earth splinters a large fragment which lands near the North Pole. Containing a new metal called phostlite, named after the astronomer who detected it, Tintin and Snowy join an expedition of world-class scientists to lay claim to the rock, in a ship captained by one Haddock, now unlikely President of the Society for Sober Sailors (despite smuggling crates of whiskey for the journey). Their quest, however, is pre-empted by another expedition, financed by crooked Sao Rico banker, cigar-chomping (anti-Semitic caricature?), Bohlwinkel.
The first dozen pages of 'Star' are unequalled in literature for sustaining a nightmare mood of unaccountable suspense and anxiety (appropriate given the Occupation context [1941] in which the story was written). The meteor is introduced as both a speedily growing incandescence in the night sky, and by a melting heat afflicting the usually drizzly Brussels, the tar on the roads melting, armies of rats fleeing the gutter, car-tyres popping and mad prophets pronouncing millenarian judgements. The spangled blackness of the sky is offset by the dreamlike twilight blue that illuminates the streets. When Tintin rushes to the observatory, he finds the spanking, steely modern technology run by an eccentric gaggle of Dickensian relics, all black frock-coated dodderers, running around in the vicious circles of their own self-absorption, headed by the appropriately-named, anvil-headed Phostle. When he encourages Tintin to look into the giant, cannon-priapic telescope for himself, he sees a colossal spider heading towards the planet.
No work could keep up that sweat-making momentum, and Herge wisely lets the narrative dip, mixing comedy (including Haddock's pathetic attempts to sneak a nagan, Snowy's incessant raids on the kitchen, and the sight of the world's finest minds keeling over in green-faced sea-sickness) with race-against-the-clock suspense as our heroes strive to reach the meteor, despite various chilling sabotage attempts by their rivals. The meteor itself is a creation worthy of Swift, soon erasing memories of 'The Black Island'. The affirmative faith in science that propels the action is undermined by the instabilities of the sinking meteor, with its magnified lifeforms (including flies and spiders) and exploding toadstools (among the book's many great visual effects, the best is possibly the shrinking in successive frames of our hero as the mushroom enlarges). The massive apples that knock Tintin on the head may be an ironic allusion to the great Enlightenment hero Newton, who could be said to usher in modern science, and the famous fruit in the Garden of Eden (like Adam, or Columbus, Tintin explores virgin land), a warning against the dangers of pursusing too much knowledge (earlier predicted by the decline into madness of the scientist Philippus); nature will always fight back, in ever more aggressive and distorted forms.

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The Complete Maus: A Survivor's Tale Review

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(More customer reviews)The title of this review consists of words I don't use too often. But this is a masterpiece that deserved its Pulitzer Prize and then some. What makes Spiegelman's work so moving is the juxtaposition of a supposedly lighthearted form, the comic strip, with the greatest evil and suffering in human history, the Holocaust. Spiegelman's parents miraculously survived the concentration camps, being among very few survivors, getting by on luck and (in the case of Spiegelman's father) a lot of resourcefulness. This is their story, from the point of view of the father, who lost nearly all of his relatives. With the Jews as mice and the Nazis as cats, this work pulls no punches in describing the true horrors of the Holocaust, and Spiegelman's minimalist artwork makes the images all the more disturbing. You don't get this kind of emotion, terror, and brutal honesty in standard written accounts of the period. But underneath the direct suffering of the Holocaust, the true theme of this book is the lasting effects on the Spiegelman family, including the father's lasting agony and the mental illness shared by both Spiegelman's mother and himself, who hadn't even been born yet. The strained relationship between father and son are the true heart of this tremendous work. I haven't been this blown away by a work of literature in a very long time, if ever.

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A son struggles to come to terms with the horrific story of his parents and their experiences during the Holocaust and in postwar America, in an omnibus edition of Spiegelman's two-part, Pulitzer Prize-winning best-seller. 25,000 first printing.

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Maus I: A Survivor's Tale: My Father Bleeds History Review

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(More customer reviews)This is a powerful work. The tale of a young man's painful relationship with his father is elegantly interwoven with the father's recollection of life as a Jew in Nazi-occupied Poland. Spiegelman's skill and honesty make this a raw, gut-wrenching read, though the tale is somehow ultimately uplifting.
I first read this book as a teenager, and would highly recommend it to people of any age. Over the years, I have re-read it frequently and shared it with friends of all ages. All have taken much from Spiegelman's tale.
A few notes must be made in response to the 10/26/97 comment posted below by a reviewer from Ontario, Canada. It is quite clear that this reviewer did not, in fact, read the book. (S)he mistakenly attacks Spiegelman for portraying the Poles as rats, and wonders if he would be offended if a book were written portraying Jews as rats. Anyone who took the time to read Maus (or merely to examine it's cover!) would know that it is, in fact, the Jewish people who are portrayed as mice/rats, whereas the Poles are portrayed not as vermin, but rather as pigs.
In fact, far from a "vicious" attack against Poles, there are many acts of kindness by Polish people portrayed in the book. Certainly there is unkindness as well, but how can the reviewer forget that this is a factual account of Vladek Spiegelman's life, told from his perspective. If unkind acts by Polish people are a part of that life, then they should be in the book.
Finally, the reviewer in question inelegantly raises a point of some merit, though it is one that is only tangentially related to Spiegelman's work. The Polish people did, in fact, suffer horribly at the hands of both Nazis and Soviets alike. Their death toll in the concentration camps numbered in the millions, and should never be forgotten or omitted when discussing the Holocaust. This book, however, is about Vladek Spiegelman, and so surely it cannot be assailed for its focus on events from his perspective.
Spiegelman's fidelity to his father's! story is to be admired, not attacked. And certainly not by a reviewer who could not be bothered to read the book.

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Midnight Sun Review

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(More customer reviews)Midnight Sun, about a group of stranded Italian airmen near the North Pole and the reporters and sailors tracking them, is fascinating and well-drawn; small gestures fill out even passing characters, and there's comedy in nearly every frame, even when the tone is somber. But the book could have used ten more pages, if not for further explanation than at least for a fuller picture of our characters' lives, and its ending felt abrupt, if apposite.

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