Showing posts with label realism. Show all posts
Showing posts with label realism. Show all posts

3/20/2012

Where Water Comes Together With Other Water: Poems Review

Where Water Comes Together With Other Water: Poems
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Carver can break your heart without seeming to try, and there is that quality in many of these poems. Written in the mid 1980s, in the last years before his death, they are that mix of bittersweet memory, melancholy, and joy taken in the here and now. Living with poet Tess Gallagher in a house overlooking the Strait of Juan de Fuca in Washington (Carver grew up in Yakima, Washington), he writes of the days that pass there, the frequent rains and the boats passing on the water, and he tracks the course of fleeting emotions, often triggered by long-forgotten memories.
He has this ability to discover the extraordinary in the absolute ordinary, and he can bring together ideas with images drawn from everyday life that disturb and shock the heart, as when he recalls an old relationship while describing the drops and smears of blood left in a kitchen sink after gutting fish. As with his stories, these poems are written in plain, conversational language while evoking at the same time the darkly inexpressible. Simple and direct on the surface, they are like being in a small boat on deep waters.

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12/29/2011

Deadly Imbalances Review

Deadly Imbalances
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Prof. Schweller deserves all the compliments that he might get. "Deadly Imbalances" is a real masterpiece, poisedly merging theoretical discussion with an accurate applied analysis on an empirical case (World War II). The author's modeling departs from Waltz's neorealism, but the structural perspective is soon amended, with the inclusion of one variable that is strictly on the unit level (the state's interest). This modification approximates his scheme to classical realism, with great gains to ad hoc analysis, like the one he does. Important to say that the historical research is very good too, remarkable in a study done by a political scientist. This book should be considered a good and commendable example of case study in the International Relations area.

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Scholars frequently portray the Second World War as an epic morality play driven by a villain (Hitler) and a sinner (Chamberlain). Deadly Imbalances offers a new approach, combining both the attributes of states and the structure of the international system to explain the origins and causes of the war. Central to Schweller\'s analysis is the argument that the structure of the international system was tripolar -with Germany, the Soviet Union, and the United States as the three central powers -and that this needs to be considered in any examination of the antecedent causes and crucial events of the war.

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